Monday, April 8, 2019

JACK CHARLES ZWERENZ DEAD AT 86 (1932-2019) AP


THE ASSOCIATED PRESS
APRIL 8, 2019

JACK C. ZWERENZ, THE MAVERICK CONSERVATIVE CIVIC LEADER OF SOUTH WESTERN QUEENS DIED THIS LAST SUNDAY ON MARCH 31 AT THE AGE OF 86 DUE TO NATURAL CAUSES.  HE IS KNOWN FOR THE DRAMATIC OBSTRUCTIONIST ONE YEAR BATTLE HE UNDERTOOK IN 1985 WITH CITY HALL AND THE MTA REGARDING THE CITY'S WISH TO BLAZE AN UN WELCOMED PATH THROUGH THE HEART OF GLENDALE, A SLEEPY, ALMOST BUCOLIC OASIS IN AN OTHERWISE HECTIC METROPOLIS. THE MTA WAS PUSHING ADAMANTLY TO ELECTRIFY AND MODERNIZE OUTDATED RAILS WHICH RAN THROUGH THE CENTER OF GLENDALE TO SUPPORT A MODERN GROUND LINE THAT WOULD SERVICE LONG ISLAND TO MANHATTAN.  ZWERENZ WAS A NATIVE OF GLENDALE SINCE THE 1930'S AND SAW GLENDALE'S HIGH QUALITY OF LIFE SURROUNDED BY PARKS AND CEMETERIES SUDDENLY AND GRAVELY THREATENED.  AFTER OVER A YEAR OF ENGAGING THE CITY'S POLITICIANS FROM BOTH SIDES OF THE AISLE IN ALBANY ZWERENZ TURNED TO GERALDINE FERRARO, WALTER MONDALE'S PRESIDENTIAL RUNNING MATE AND FOUND A SYMPATHETIC SOUL IN THE RIGHT PLACE AT THE RIGHT TIME.  THROUGHOUT THE CHALLENGE ZWERENZ WORKED SIDE BY SIDE WITH NOW FORMER STATE SENATOR SERPHIN MALTESE AND EX SENATOR AL DEMATO AS WELL AS WITH EX CONGRESSWOMAN ELIZABETH CROWLEY.  THE FINAL RESULT OF THE LONG AND TRIED BATTLE WAS FINALLY AND DECISIVELY WON BY ZWERENZ AND HIS COLLISION. 
IT WAS A PERIOD THAT THE MTA HAS STILL NOT FORGOTTEN.  ZWERENZ IS SURVIVED BY HIS WIFE CAROL, HIS SON JOHN, AND HIS DAUGHTER JEAN.

- AP



POSTED BY JOHN LARS ZWERENZ

Sunday, April 7, 2019

IN SACRED REMEMBRANCE OF JACK CHARLES ZWERENZ (1932-2019)


                           LIFETIME ACHIEVEMENT AWARD FOR JACK CHARLES ZWERENZ

CIVIC LEADER, POLITICAL LEADER, MEMBER OF COMMUNITY BOARD 5 AND FOUNDING MEMBER OF THE GLENDALE CIVILIAN OBSERVATION PATROL.
BELOVED HUSBAND TO CAROL ZWERENZ, FATHER OF JOHN LARS ZWERENZ, JONATHAN DEVARSO AND JEANNIE DEVARSO.

JUNE 11, 2009 THE GLENDALE REGISTRAR

GOD BLESS YOU FATHER.  MAY GOD WELCOME YOU INTO THE HIGHEST PARADISE.







THE COURTYARD BY JOHN LARS ZWERENZ

THE COURTYARD

On tepid evenings, when fountains descend like rain,
Tall, ivory statues glitter in the moon glow,
Amid ancient colonnades, where rivulets flow
To ponds of mystic wines, devoid of any pain.
And when I kiss your lips of the sun
In the shade of russet linden trees,
Our hearts unite, and marry as one
In the azure cradle of the scented breeze.
Then your gaze becomes solemn, grave and still,
As all of our sorrow forever departs.
And your eyes begin to speak with ecstasies,
With angelic tears shed from rapturous seas
Imbuing within our bating hearts
The holy hues of rhapsodies.

JOHN LARS ZWERENZ


{C} 2019




LOVE IN THE COURTYARD BY JOHN LARS ZWERENZ

THE COURTYARD

On tepid evenings, when fountains descend like rain,
Tall, ivory statues glitter in the moon glow,
Amid ancient colonnades, where rivulets flow
To ponds of mystic wines, devoid of any pain.
And when I kiss your lips of the sun
In the shade of russet linden trees,
Our hearts unite, and marry as one
In the azure cradle of the scented breeze.
Then your gaze becomes solemn, grave and still,
As all of our sorrow forever departs.
And your eyes begin to speak with ecstasies,
With angelic tears shed from rapturous seas
Imbuing within our bating hearts
The holy hues of rhapsodies.

JOHN LARS ZWERENZ


{C} 2019







About John Lars Zwerenz

John Lars Zwerenz (1969- ) is an American impressionistic poet. H

Monday, March 11, 2019

ON THE ASCENT OF THE NATION STATES

AN ESSAY BY JOHN LARS ZWERENZ

MARCH 11, 2019

THE RISE OF THE NATION STATES 
After centuries of British expansionism, coupled with the successful establishment of The United States of America, the inceptions of most Nation States evolved in the middle part of the 19th Century. The fruitions of these inceptions have often led, directly and indirectly, to the most violent abominations seen in human history, from their first effects (such as the Franco - Prussian War in 1870) to the ineffable crimes of Nazi Germany in the 1940's along with Joseph Stalin's purges of innocent millions in Soviet Russia during that same era.
America's annihilation of hundreds of thousands of innocent peasants in agrarian South East Asia from 1965 to 1973 must also be recognized as another grave infraction of the basic tenants of objective morality. Among other nations, whatever their characters, to emerge since 1740, it has been the particular ideologies of The United States of America that have been the most unique and unprecedented.
Mostly based on Godly principles which were conceived prior to the age of The Enlightenment, America's Founders extrapolated and perfected the best political ideologies from Europe's most humble yet exalted concepts of genuine humanitarianism, religious freedom and equality among all persons. Such ideas were coalesced and penned most efficaciously in The New Republic's Constitution, ratified in June of 1778.
Yet by the middle part of the 19th Century, ideas such as Manifest Destiny, The Monroe Doctrine and American Exceptionalism began to shape and influence the American Republic's attitudes and policies in major ways, both at home and abroad.
Sprouting from these new ideas came the belief that America and Americans were superior to other nations and peoples by virtue of Divine choice, by providential design.
The one definitive conception which gave birth to these beliefs was first explicitly espoused in Alexis de Tocqueville's masterwork "Democracy In America", published in two unified sections, in 1835 and in 1840, respectively. It is in this seminal treatise of biased political science that we first find the ideas of American Exceptionalism fully introduced to the American people in a complete and cohesive manner.
One outstanding and conspicuous irony is that some of the most noble and influential Americans at the time these ideals emerged rejected them without exception. Among these men and women was President Abraham Lincoln who rightly perceived these new notions concerning America's position in the world dangerous to global peace and stability.
In the final analysis all nations, whatever virtues they may possess, are conceived and are crafted by the minds and hands of men. They are all therefore liable to suffer from a multitude of evils and imperfections.
The dictates of objective morality are clear in regards to the ultimate destiny of all nations and their peoples. For it is an irrefutable fact that, although often unintended, all nations are fundamentally interdependent upon all others, spiritually, politically and financially. This fact may in truth be their saving grace.
In conclusion, I state now with concrete certainty that every individual's primary personal affiliation and allegiance should be to God, his Creator, his Savior and Redeemer, not merely to one's Country. This is not to say that one does not owe a great debt to the homeland that has nourished him, rather it is to say there is an incalculable difference between what men have made and Who God Is.
For it has been said: "Heaven and earth shall pass away, but my words will never pass away." (Matthew 24:35)

John Lars Zwerenz

Sunday, January 13, 2019

The Art of Poetry by John Lars Zwerenz

The Art of Poetry

(Written by: )

Since the days of Sappho in ancient Greece, and long before, the rhyming word has functioned as a primary means of artistic expression for the human family. Indeed, passages of The Bible are clearly poetic in structure and tone, such as King Solomon's Song of Songs which praises the beauties and the virtues of romantic love. Poetry, or rhyme, at its best is an effluent stream of verbal music which exposes the reader to uncommon vistas, to powerful emotional and mental states, and ideally to ultimate beatitude. The poet dips into his well of visions, empirical narratives, and mystical states in order to create for the sake of his audience new ways of seeing and comprehending.
The focal point of most poets over the centuries has been to capture the physical, ethereal and spiritual beauties of life through the use of carefully crafted words, words which flow and usually constitute rhyming stanzas. Meaning has often been conveyed through verse, yet the importance of expressing beatitude, the beauty of love, of God, of nature, of men and women, of the human race, has been the most sought-after crown of achievement in the realm of poetry since the days of Chaucer, to Shakespeare, throughout the ages, and into the 21st century.
And beauty is almost always entwined with ardor and love, in life as well as in verse. As the beloved says of her lover in The Song of Songs: "Let him kiss me with the kisses of his mouth: for thy love is better than wine." This is a simple but sweet phrasing of inner feeling and emotion which has been repeated in many similar expressions of romantic love by so many lauded bards. Edgar Allan Poe was no stranger to the profundity of love and its incomparable depths when he wrote his famous "Annabel Lee". Nor was Lord Byron when he wrote his legendary "She Walks In Beauty."
The Victorian poets in both England and The United States were obsessed with the link between love, truth, and beauty. This combination indeed was their approach to discovering objective truths about the nature of existence. John Keats illustrated this poetic pursuit well when he wrote: "Truth is beauty, and beauty is truth." It was at this time, in the 19th century, in France as well, after the period now termed as "The Enlightenment" faded into disillusion that beauty was once again thought to be a gift of God, as it was in The Middle Ages, rather than the result of purely human reasoning and perception.
Conveying meaning without music in verse is like drinking wine without experiencing the cooling, refreshing streams which should always accompany words of wisdom, or simply words of expression. And ultimately, it is the beautiful element of the eternal that is sought after in the poet's most inspired lines. Edgar Allan Poe brings all of these essential poetic qualities together quite remarkably when he says of his deceased loved one at the end of his "To One In Paradise" - When he writes:
"And all my days are trances,
And all my nightly dreams,
Are where thy dark eye glances,
And where thy footstep gleams,
In what ethereal dances -
By what eternal streams!"





WRITTEN AND POSTED BY JOHN LARS ZWERENZ (C) 2019